17.75 x 33.75 Inches.
Samuel and Nathaniel Buck were brothers who were born in Yorkshire, England at around the turn of the 18th century. After spending their formative years in the north, they moved south to the great bustling metropolis that was London, as so many rural people did in those days, seeking their possible fame and fortune. As young men, around 1724, they set out and began an ambitious work to traverse each and every county within England and Wales. They began to engrave and prepare the particular countys antiquities be they free standing or semi ruinous castles, stately homes, or religious and monastic buildings of importance and consequence although many were in an extremely poor state of neglect and abject disrepair after the first King Henry VIII in the 16th century, and then Oliver Cromwell later in the 17th century had their respective religious purges. It was during the preparation of these collections of county antiquities that the Buck brothers struck on the novel idea to also engrave some of the more important cities and towns. So, in my opinion, what resulted was the most wondrous, most influential and most important topographical undertaking that was ever done of England and Wales, not only of the 18th century but also for many years afterward. Prior to Bucks magnificent copper plate panoramas, virtually nothing had been done to depict views of significant English cities and towns. Only a handful were included in the atlas by Braun and Hogenberg in their Civitates Orbis Terrurum published in Cologne in 1581. I honestly feel that there is nothing at all to compare with these exquisite panoramas, in terms of technical skill, engraved detail and sheer scale and size. I also feel that a huge debt of gratitude is owed to these two enterprising and ambitious brothers, who have left us not only with a wonderful and enduring legacy, but also a truly unique glimpse and brief insight into an English way of life that can never be replicated nor indeed pass our way ever again. Wrexham is the largest town in North Wales, and is pleasantly situated between the Welsh mountains and the Dee Valley, close to the border with the English county of Cheshire. In Samuel and Nathaniel Bucks fine 1748 copperplate view of the town, you see a quiet, neat, well organized town, dominated by St. Giles church. Streets of quaint cottages are seen lined all in a row, and we view a really delightful house, The Mount which evidently belongs to a man of independent means within the town. A large and impressive vegetable garden is viewed in front of the house. Other prominent buildings depicted are The Vicarage, The College House, The Town Hall, and a large house belonging to a Mr Pulford. In the scenic foreground, people are seen in a relaxed mood, either sitting and talking, or walking homeward after a long days shooting with their trusty gun dogs. Looking at this tranquil rustic scene, it is somewhat hard to imagine that Wrexham town was the possible birthplace of the Industrial Revolution. In 1762, a local man by the name of John Wilkinson opened up Bersham ironworks. This being successful, he opened up a smelting plant in 1793.With as humble a beginning as this, one of the most important and profound events in mans history was begun! This is a rare and significant opportunity to acquire one of these much sort after panoramas by Englands premier topographical engravers, and is entirely in keeping with Arader Galleries fine and long standing tradition of only offering items of the highest quality for forty years. Description prepared for Arader Galleries by Ian Williams, who has over 20 years experience with maps and decorative prints.