CATESBY, Mark (1683 – 1749) Vol.I, Tab. 97, The Summer Duck
CATESBY, Mark (1683 – 1749) Vol.I, Tab. 97, The Summer Duck
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Painted and etched by Mark Catesby (1638 - 1749)
Etching with hand color, paper dimensions: approximately 14 x 19 inches
From Volume I, Part 5 of Catesby's Natural History of Carolina, Florida & the Bahama Islands
London: 1732 - 1771
Currently known as the wood duck, Aix sponsa*, Catesby described this subject as follows:
ANAS AMERICANUS cristatus elegans.
The Summer Duck.
This is of a mean Size, between the common Wild Duck and Teal. The Bill is red, with a black Spot on the middle of it, and a black Nail or horny substance on the End, the Basis of the Bill is edged about with a yellow fleshy protuberance, pointing on each Side towards the Eyes, the Irides of which are very large and red, encompassed with a red Circle. The Crown of the Head is elegantly covered with a double Plume of long Feathers composed of blew, green and purple Colours, hanging down separately behind its Head, and divided by a narrow white Line, extending from the upper part of the Basis of the Bill backward: the lower Plume is likewise bordered with a white Line, beginning at the Eyes and running parrallel with the other, dividing the Plume from the under part of the Head, which is purple. The Throat is white, from each Side whereof proceed two white lines, one branching up towards the Crown of the Head, and the other below it, crossing the Neck. The Breast is of a muddy red, sprinkled thick over with white Spots, like Ermin. A little above the Shoulder is a broad white line, extended transversly, below which, and joining to it, runs a broad black Lift. The Back and upper parts of the Wings are variously and changeably coloured with brown, blue, and purple. The small Feathers near the Vent, are of a reddish purple, from amongst which spring two small yellow Feathers. The Tail is blue and purple. The lower part or verge of the Wings are lapped over and covered by the small downy side Feathers, extending from the Shoulders halfway the Wings, displaying alternately and in a wonderful manner black and white pointed Lines, varying in Appearance according to the Motion of the Bird, and different Position it puts its Feathers into, which adds much to the Beauty of it. The Sides of the Body below the Wings are brown, with transverse waved Lines, as in many of the Duck kind; the Legs and Feet of a reddish brown. They breed in Virginia and Carolina, and make their Nests in the Holes of tall Trees (made by Wood-peckers) growing in Water, particularly Cypress Trees. While they are young and unable to fly, the Old ones carry them on their Backs from their Nests into the Water; and at the Approach of Danger, they fix with their Bills on the Backs of the Old ones, which fly away with them. The Female is all over brown.
Mark Catesby (1683 – 1749)
Facts regarding Catesby’s early years are scant. It is known that he was born in the ancient market town of Sudbury, England to a father who was a legal practitioner and mayor of Sudbury and to a mother from an old Essex family. It seems that he received an understanding of Latin and French and was familiar with the eminent naturalist Reverend John Ray. Following his father’s death, he was endowed with the means to pursue his interest in the natural history of North America.
Catesby arrived in Virginia in 1712 as the guest of his sister and her husband, Dr. William Cocke, an aid the Governor of the colony. Soon he was acquainted with the well-connected William Byrd, a Fellow of the Royal Society whose diary contains passages discussing Catesby’s strong curiosity with all things relating to North America.
This included plants native to the fields and woods of Virginia through which Catesby traveled, collecting examples of botanical specimens unfamiliar in England, which he illustrated and sent back to his uncle, Nicholas Jekyll and the apothecary and botanist, Samuel Dale.
Catesby’s first trip to the New World was extensive and included a visit to Jamaica. Although he felt that his approach to a larger understanding of its natural history was lacking in structure, his experience would inform his future expeditions.
Following his return to London in 1719 Catesby resolved to return to the colonies and gather additional information for his illustrated Natural History... He gained the financial support of members of the local scientific community, many of who were members of the Royal Society keen to send a naturalist to Carolina who could provide an accurate account of its resources. Among those who belonged to the Royal Society was William Sherard, who after examining Catesby’s drawings, was key in advancing the project. With further backing by Sir Hans Sloane, court physician and naturalist whose collection would form the basis for The British Museum, Catesby sailed to Carolina in 1722.
Catesby’s four years of travels following his second arrival in North America brought him throughout South Carolina, parts of Georgia, and the Bahamas. He was
intent on visiting the same location at different times throughout the year in order to observe his subjects as they developed. In addition to gathering botanical specimens of potential horticultural importance, he also acquired birds and other creatures.
Catesby’s patrons in London were eager to receive examples of the varieties of plants and animals he encountered but collecting, packaging, and sending them back to England served as a distraction to his intended Natural History... Nevertheless, he continued to observe, paint, and write descriptions of the previously un-investigated wildlife he encountered on the shores and in the swamps, woods, and fields of the middle American colonies.
Catesby returned to England from his final voyage to America in 1726 and spent the next seventeen years preparing his Natural History... He envisioned his work containing colored plates reproducing his studies from nature in a substantial, folio-sized format, an achievement nearly unprecedented in earlier natural history publications. Catesby arranged for financing in the form of an interest-free loan from the Quaker Peter Collinson, a fellow of the Royal Society. Nevertheless, the cost of paying professionals to prepare his delineations on copper plates for printing was too great. To this end, with the assistance of Joseph Goupy (1689–1769), a French artist living in London, he taught himself to etch. In addition to producing nearly all of the plates for his publication, Catesby closely supervised the coloring of the engravings, either painting the impressions himself or closely overseeing the work to insure its fidelity to his preparatory work. To further finance the project Catesby sold subscriptions, offering his book in sections of 20 plates to be published every four months.
The first volume of Natural History of Carolina, Florida & the Bahama Islands, containing one hundred plates, was completed in 1731 and no doubt facilitated his election as a fellow of the Royal Society in February, 1733. The second volume, also containing one hundred plates, was finished in 1743 and was supplemented with twenty plates based on information sent to Catesby by John Bartram and others in in America appeared in 1746–1747. Of the approximately 180 - 200 copies of the first edition produced, roughly 80 copies remain complete and accounted for and there are an unknown number in private collections. A second edition was issued by George Edwards in 1754 and a third edition, published by Benjamin White, in 1771 who continued to print examples of the plates until at least 1816. As early as 1749 editions were produced for the European market with translations of the text in German, Latin, and Dutch. In these the plates for the first volume and appendix were re-etched by Johann Michael Seligmann and the plates for the second volume re-etched by Nicolaus Friedrich Eisenberger and Georg Lichtensteger.
Catesby’s tenacity resulted in a sweeping and compelling study of American plants, animals, and marine life native to little documented lands in which he strove to assign scientific nomenclature to his subjects. Indeed, Linnaeus, in his 1758 Systema Naturae, made use of much information brought to light by Catesby using it as the foundation of his system of binomial nomenclature for American species.
Throughout the production of his Natural History…Catesby lived in London with his Elizabeth Rowland with whom he had four children and married in 1747, before his death in 1749.
*From James L. Reveal’s Identification of the plants and animals illustrated by Mark Catesby for The natural history of Carolina, Florida and the Bahama islands in the appendix of The Curious Mr. Catesby, University of Georgia Press.
Description compiled by Erik Brockett who is pleased to provide additional information relating to this or other examples of the work of Mark Catesby available at Arader Galleries. He can be contacted at email@example.com